Works

Various Small Fires

A Group Exhibition on Emerging Artists from Kenya, Tanzania, and Eritrea


Featuring: Nebay Abraha, Austine Adika, Biniam Afewerki, Liberatha Alibalio, Ian Gichohi, Florin Iki, Mihayo Kallaye, Patrick Karanja, Anita Kavochy, Wanini Kimemiah, Winifrid Luena, Wanjohi Maina, Adam Massava, Denise Muthoni, Taabu Munyoki, Eddy Ochieng’, Sujay Shah, Nahom Teklehaimanot


Various Small Fires brings together the work of 18 early-career artists based in East Africa - Kenya, Tanzania, and Eritrea. Working across and sometimes combining various media, including painting, drawing, printmaking, photography, sculpture, textiles, these artists offer the audience a glimpse into the ever-growing creative scene in the region. The themes in the work vary from the personal and the internal, to the more observational outward looking. In the works of Anita Kavochy and Liberatha Alibalio we see the physical, tactile properties of their chosen media - paper in the former and textiles in the latter - harnessed to offer abstract accounts of their environments. Ian Gichohi, Wanjohi Maina, Adam Massava, and Eddy Ochieng’ turn their gaze outward, recording the movements and activities within urban spaces, in this case Nairobi. The theatrical interiors of Sujay Shah and the dreamlike photographs of Wanini Kimemiah embrace the uncanny as a means to think about their experience of the world. These are just a handful of examples of the range of perspectives present in the show. Most of these artists are showing at Circle for the first time and we are pleased to have the opportunity to share these artists’ work with our audience, and offer collectors a chance to discover artists that they might not already know.


Works marked with a red dot are sold. Those marked with a yellow dot are only reserved and may become available, so please inquire if you are interested in a work marked yellow.
  • Austine Adika, Kaninja, 2021
    Austine Adika
    Kaninja, 2021
    Aluminium
    74 x 52 x 38 cm
    29 1/8 x 20 1/2 x 15 in
  • Austine Adika, Butterflies and Roses (i), 2021
    Austine Adika
    Butterflies and Roses (i), 2021
    Aluminium and glue
    41 x 20 x 9 cm
    16 1/8 x 7 7/8 x 3 1/2 in
  • Austine Adika, Butterflies and Roses (ii), 2021
    Austine Adika
    Butterflies and Roses (ii), 2021
    Aluminium
    51.5 x 26.5 x 10.5 cm
    20 1/4 x 10 3/8 x 4 1/8 in
  • Austine Adika, Butterflies and Roses (iii), 2021
    Austine Adika
    Butterflies and Roses (iii), 2021
    Aluminium and glue
    61 x 34 x 11 cm
    24 1/8 x 13 3/8 x 4 3/8 in
  • Austine Adika, Butterflies and Roses (iv), 2021
    Austine Adika
    Butterflies and Roses (iv), 2021
    Aluminium and glue
    65 x 27 x 10 cm
    25 5/8 x 10 5/8 x 4 in
  • Austine Adika, Butterflies and Roses (v), 2021
    Austine Adika
    Butterflies and Roses (v), 2021
    Aluminium
    38 x 22.5 x 9 cm
    15 x 8 7/8 x 3 1/2 in
  • Austine Adika, Butterflies and Roses (vi), 2021
    Austine Adika
    Butterflies and Roses (vi), 2021
    Aluminium and glue
    38 x 22 x 6 cm
    15 x 8 5/8 x 2 3/8 in
  • Austine Adika, Butterflies and Roses (vii), 2021
    Austine Adika
    Butterflies and Roses (vii), 2021
    Aluminium
    57 x 31 x 11 cm
    22 1/2 x 12 1/4 x 4 3/8 in
  • Austine Adika, Butterflies and Roses (viii), 2021
    Austine Adika
    Butterflies and Roses (viii), 2021
    Aluminium
    61 x 17 x 13.5 cm
    24 1/8 x 6 3/4 x 5 1/4 in
  • Austine Adika, Butterflies and Roses (ix), 2021
    Austine Adika
    Butterflies and Roses (ix), 2021
    Aluminium and glue
    60.5 x 23 x 19 cm
    23 7/8 x 9 1/8 x 7 1/2 in
  • Austine Adika, Butterflies and Roses (x), 2021
    Austine Adika
    Butterflies and Roses (x), 2021
    Aluminium
    59 x 28.5 x 17.4 cm
    23 1/4 x 11 1/4 x 6 7/8 in
  • Austine Adika, Butterflies and Roses (xi), 2021
    Austine Adika
    Butterflies and Roses (xi), 2021
    Aluminium
    113 x 76 x 18 cm
    44 1/2 x 29 7/8 x 7 1/8 in
  • Biniam Afewerki, Arrival in White IV, 2020
    Biniam Afewerki
    Arrival in White IV, 2020
    Woodcut print on paper (Ed 3 of 20)
    29.7 x 29.7 cm
    11 3/4 x 11 3/4 in
  • Biniam Afewerki, The Longing Moment VI, 2020
    Biniam Afewerki
    The Longing Moment VI, 2020
    Woodcut print on paper (Ed 2 of 20)
    29.7 x 29.7 cm
    11 3/4 x 11 3/4 in
  • Biniam Afewerki, Contemplation, 2020
    Biniam Afewerki
    Contemplation, 2020
    Woodcut print on paper (Ed 2 of 20)
    29.7 x 92.7 cm
    11 3/4 x 36 1/2 in
  • Liberatha Alibalio, Reflection I, 2020
    Liberatha Alibalio
    Reflection I, 2020
    Cotton, satin, hand dyes, free motion machine stitching, and hand stitching
    143 x 87 cm
    56 1/4 x 34 1/4 in
  • Liberatha Alibalio, Reflection II, 2020
    Liberatha Alibalio
    Reflection II, 2020
    Cotton, satin, hand dyes, free motion machine stitching and hand stitching
    143 x 87 cm
    56 1/4 x 34 1/4 in
  • Liberatha Alibalio, Geese
    Liberatha Alibalio
    Geese
    Quilted cotton and barkcloth
    33 x 43 cm
    13 x 16 7/8 in
  • Liberatha Alibalio, Background, 2021
    Liberatha Alibalio
    Background, 2021
    Quilting, hand dyes, and barkcloth
    57 x 75 cm
    22 1/2 x 29 1/2 in
  • Ian Gichohi, Drying Red, 2020
    Ian Gichohi
    Drying Red, 2020
    Photographic print on archival luster paper
    50.8 x 76.2 cm
    20 x 30 in
    Edition of 5 plus 2 artist's proofs (#1/5)
  • Ian Gichohi, When They Tried To Divide Us, 2020
    Ian Gichohi
    When They Tried To Divide Us, 2020
    Photographic print on archival luster paper
    59.7 x 77.5 cm
    23 1/2 x 30 1/2 in
    Edition of 3 plus 2 artist's proofs (#1/3)
  • Florin Iki, I look At Myself and I Say " Are You A Monster" , 2021
    Florin Iki
    I look At Myself and I Say " Are You A Monster" , 2021
    Ink, Coloured Pencil and Collage on paper
    56 x 36.5 cm
    22 1/8 x 14 3/8 in
  • Florin Iki, I Loved You but I Became a Mermaid, 2021
    Florin Iki
    I Loved You but I Became a Mermaid, 2021
    Ink an thread on Paper
    56.2 x 37.8 cm
    22 1/8 x 14 7/8 in
  • Florin Iki, I Look at Myself and Ask "What are You?", 2021
    Florin Iki
    I Look at Myself and Ask "What are You?", 2021
    Ink and Thread on Paper
    57 x 38 cm
    22 1/2 x 15 in
  • Florin Iki, It's Not How You Fall that Matters, 2021
    Florin Iki
    It's Not How You Fall that Matters, 2021
    Printing inks and collage on paper
    56 x 38 cm
    22 1/8 x 15 in
  • Mihayo Kallaye, Guardians, 2021
    Mihayo Kallaye
    Guardians, 2021
    Mixed media on canvas
    120 x 100 cm
    47 1/4 x 39 3/8 in
  • Mihayo Kallaye, Controlled, 2021
    Mihayo Kallaye
    Controlled, 2021
    Mixed media on canvas
    120 x 100 cm
    47 1/4 x 39 3/8 in
  • Mihayo Kallaye, What If?, 2020
    Mihayo Kallaye
    What If?, 2020
    Mixed media on canvas
    145 x 100 cm
    57 1/8 x 39 3/8 in
  • Patrick Karanja, Untitled (Spotlight), 2021
    Patrick Karanja
    Untitled (Spotlight), 2021
    Etching on paper
    29.5 x 20 cm
    11 5/8 x 7 7/8 in
    Edition of 3 (#1/3)
  • Patrick Karanja, Untitled, 2021
    Patrick Karanja
    Untitled, 2021
    Etching on paper
    29.5 x 20 cm
    11 5/8 x 7 7/8 in
    Edition of 3 (#1/3)
  • Patrick Karanja, Bad Parenting, 2021
    Patrick Karanja
    Bad Parenting, 2021
    Etching on paper
    20 x 29.5 cm
    7 7/8 x 11 5/8 in
    Edition of 3 (#1/3)
  • Anita Kavochy, Untitled (I), 2020
    Anita Kavochy
    Untitled (I), 2020
    Mixed media on paper
    68.5 x 91 cm
    27 x 35 7/8 in
  • Anita Kavochy, Untitled (iii), 2020
    Anita Kavochy
    Untitled (iii), 2020
    Mixed media on paper
    71 x 74 cm
    28 x 29 1/8 in
  • Anita Kavochy, Untitled (ii), 2020
    Anita Kavochy
    Untitled (ii), 2020
    Mixed media on paper
    72 x 81 cm
    28 3/8 x 31 7/8 in
  • Wanini Kimemiah, Fashion Trends '92, 2021
    Wanini Kimemiah
    Fashion Trends '92, 2021
    Photographic print on archival luster paper
    17 x 24.2 cm
    6 3/4 x 9 1/2 in
    Edition of 5 plus 2 artist's proofs (#1/5)
  • Wanini Kimemiah, This Is Not the Bride, 2021
    Wanini Kimemiah
    This Is Not the Bride, 2021
    Photographic print on archival luster paper
    17 x 24.2 cm
    6 3/4 x 9 1/2 in
    Edition of 5 plus 2 artist's proofs (#1/5)
  • Wanini Kimemiah, Seafoam, 2021
    Wanini Kimemiah
    Seafoam, 2021
    Photographic print on archival luster paper
    17 x 24.2 cm
    6 3/4 x 9 1/2 in
    Edition of 5 plus 2 artist's proofs (#1/5)
  • Wanini Kimemiah, Blue Light, 2021
    Wanini Kimemiah
    Blue Light, 2021
    Photographic print on archival luster paper
    24.2 x 17 cm
    9 1/2 x 6 3/4 in
    Edition of 5 plus 2 artist's proofs (#1/5)
  • Wanini Kimemiah, Acetone Fire, 2021
    Wanini Kimemiah
    Acetone Fire, 2021
    Photographic print on archival luster paper
    24.2 x 17 cm
    9 1/2 x 6 3/4 in
    Edition of 5 plus 2 artist's proofs (#1/5)
  • Winifrid Luena, Metamorphosis II, 2020
    Winifrid Luena
    Metamorphosis II, 2020
    Photographic Print on Paper
    42 x 29.5 cm
    16 1/2 x 11 5/8 in
    Edition of 3 (AP 1/2)
  • Winifrid Luena, Metamorphosis X, 2020
    Winifrid Luena
    Metamorphosis X, 2020
    Photographic Print on Paper
    84 x 56.3 cm
    33 1/8 x 22 1/8 in
    Edition of 3 (#1/3)
  • Wanjohi Maina, Hawkers Republic XXV, Mask Seller (Uhuru Highway), 2021
    Wanjohi Maina
    Hawkers Republic XXV, Mask Seller (Uhuru Highway), 2021
    Spray paint, acrylic, and highlighter on steel
    71.5 x 59.5 cm
    28 1/8 x 23 3/8 in
  • Wanjohi Maina, Hawkers Republic, XXIV, Sunnies (Uhuru Highway), 2021
    Wanjohi Maina
    Hawkers Republic, XXIV, Sunnies (Uhuru Highway), 2021
    Spray paint, acrylic, and highlighter on steel
    62.5 x 72 cm
    24 5/8 x 28 3/8 in
  • Wanjohi Maina, Hawkers Republic XXIII, Newspaper Ladies (Uhuru Highway), 2021
    Wanjohi Maina
    Hawkers Republic XXIII, Newspaper Ladies (Uhuru Highway), 2021
    Spray paint, acrylic, and highlighter on steel
    107.5 x 62.5 cm
    42 3/8 x 24 5/8 in
  • Wanjohi Maina, Hawkers' Republic XXII (Banana Seller), 2021
    Wanjohi Maina
    Hawkers' Republic XXII (Banana Seller), 2021
    Spray paint, acrylic, and highlighter on steel
    57.5 x 25.5 cm
    22 5/8 x 10 1/8 in
  • Wanjohi Maina, Hawkers' Republic XXI (Mali mali), 2021
    Wanjohi Maina
    Hawkers' Republic XXI (Mali mali), 2021
    Spray paint, acrylic, and highlighter on steel
    71 x 36 cm
    28 x 14 1/8 in
  • Wanjohi Maina, Hawkers Republic XXIII (Car Accessories), 2021
    Wanjohi Maina
    Hawkers Republic XXIII (Car Accessories), 2021
    Spray paint, acrylic, highlighter on steel
    187 x 117 cm
    73 5/8 x 46 1/8 in
  • Wanjohi Maina, Hawkers Republic XXIV (Toy trucks, Balls, Guitar), 2021
    Wanjohi Maina
    Hawkers Republic XXIV (Toy trucks, Balls, Guitar), 2021
    Spray paint, acrylic, highlighter on steel
    172 x 109 cm
    67 3/4 x 42 7/8 in
  • Adam Masava, Baba Mwende, 2021
    Adam Masava
    Baba Mwende, 2021
    Acrylic and varnish on rusted iron sheets (diptych)
    30 x 20 cm
    11 3/4 x 7 7/8 in
  • Adam Masava, Mattress (i), 2021
    Adam Masava
    Mattress (i), 2021
    Acrylic and varnish on iron sheet
    30 x 20 cm
    11 3/4 x 7 7/8 in
  • Adam Masava, Mattress (ii), 2021
    Adam Masava
    Mattress (ii), 2021
    Acrylic and varnish on rusted iron sheet
    30 x 20 cm
    11 3/4 x 7 7/8 in
  • Adam Masava, Mercy, 2021
    Adam Masava
    Mercy, 2021
    Acrylics and varnish on rusted iron sheets
    30 x 20 cm
    11 3/4 x 7 7/8 in
  • Adam Masava, Jane, 2021
    Adam Masava
    Jane, 2021
    Acrylic and varnish on rusted iron sheets
    30 x 20 cm
    11 3/4 x 7 7/8 in
  • Adam Masava, Shiro, 2021
    Adam Masava
    Shiro, 2021
    Acrylic and varnish on rusted iron sheet
    30 x 20 cm
    11 3/4 x 7 7/8 in
  • Denise Muthoni, Curfew, 2021
    Denise Muthoni
    Curfew, 2021
    Acrylic on canvas
    30.4 x 25 cm
    12 x 9 7/8 in
  • Denise Muthoni, Untitled (ii), 2021
    Denise Muthoni
    Untitled (ii), 2021
    Acrylic on canvas
    61 x 45.9 cm
    24 1/8 x 18 1/8 in
  • Taabu Munyoki, Does My Hair Make You Uncomfortable, 2021
    Taabu Munyoki
    Does My Hair Make You Uncomfortable, 2021
    Acrylic and Image Transfer on Canvas
    150 x 80.7 cm
    59 1/8 x 31 3/4 in
  • Taabu Munyoki, Faraja, 2021
    Taabu Munyoki
    Faraja, 2021
    Acrylic and image Transfer on Canvas
    90.3 x 68.3 cm
    35 1/2 x 26 7/8 in
  • Eddy Ochieng, The Wait I, 2021
    Eddy Ochieng
    The Wait I, 2021
    Oil On Canvas
    130.9 x 85.2 cm
    51 1/2 x 33 1/2 in
  • Eddy Ochieng, The Wait II, 2021
    Eddy Ochieng
    The Wait II, 2021
    Oil On Canvas
    138.5 x 97.5 cm
    54 1/2 x 38 3/8 in
  • Eddy Ochieng, The Wait III, 2021
    Eddy Ochieng
    The Wait III, 2021
    Oil on Canvas
    138.7 x 97 cm
    54 5/8 x 38 1/4 in
  • Sujay Shah, Seance (i), 2021
    Sujay Shah
    Seance (i), 2021
    Oil, acrylic, oil pastel, soft pastel on canvas
    172.7 x 240.5 cm
    68 x 94 3/4 in
  • Sujay Shah, Commune, 2021
    Sujay Shah
    Commune, 2021
    Oil, acrylic, oil pastel on canvas
    126.7 x 152.8 cm
    49 7/8 x 60 1/8 in
  • Sujay Shah, Tableaux, 2021
    Sujay Shah
    Tableaux, 2021
    Oil, acrylic, and oil pastel on canvas
    144.5 x 156.5 cm
    56 7/8 x 61 5/8 in
  • Nahom Teklehaimanot, My Beginning, My Middle, My End, I, 2021
    Nahom Teklehaimanot
    My Beginning, My Middle, My End, I, 2021
    Acrylic on canvas
    150 x 150 cm
    59 1/8 x 59 1/8 in
  • Nahom Teklehaimanot, My Beginning, My Middle, My End, II, 2021
    Nahom Teklehaimanot
    My Beginning, My Middle, My End, II, 2021
    Acrylic on canvas
    150 x 150 cm
    59 1/8 x 59 1/8 in
  • Nahom Teklehaimanot, My Beginning, My Middle, My End, III, 2021
    Nahom Teklehaimanot
    My Beginning, My Middle, My End, III, 2021
    Acrylic on canvas
    150 x 150 cm
    59 1/8 x 59 1/8 in

Nebay Abraha (Eritrean, b. 1996)

Nebay Abraha was born, Eritrea in 1996 and, like various Eritrean artists, he is self-taught. At a young age, he hosted two exhibitions along with a friend in Asmara, which encouraged him to continue his pursuit of art. He’s become known for his portraits and colourful collages. Towards the end of 2018, Abraha moved to Addis Ababa, and this self-imposed exile has been a catalyst for his creativity. Since moving to Addis, he has hosted an exhibition themed “Ethio-Eritrea” at the Fendika Cultural Center in June 2019, a collaboration with Ethiopian artist, Berhan Beyene. Since then he has participated in several group art exhibitions. Various Small Fires marks his first time exhibiting in Nairobi.

Austin Adika (Kenyan)

Austin Adika strives to represent a type of radiant beauty in humanity from both moments of joy and pain. His process starts from a keen selection of materials, paying attention to varying textures, flexibility and specific hues/colours. He then alters their shapes, working mainly by hand and a few readily available tools, to produce their final forms. Inspiration for the pieces is drawn from his immediate environs and acts of random observations, which he combines with research on concepts of particular interest and personal experience.

“Art is a vessel for me sail through and explore the vast sea of life. It challenges me to understand and appreciate numerous aspects of life and nature, and is a tool to be brave and express my ideas and emotions without seeking an ideal.”


Biniam Afwerki (Eritrean, b. 1992)

Beniam Afwerki is a devoted self-taught painter, printmaker, poet, and graphic designer. He develops his ideas into bright, striking imagery which incorporates poetry. He has staged various art exhibitions and was the first runner-up in the adult non-professional category in a competition held by the European embassy in Eritrea. His motivation and inspiration come mostly from works of local Tribal artists, the social appearance of the people he lives with, and the local stories told through verbal deliberations.

Liberatha Alibalio (Tanzanian, b. 1994)

Liberatha Alibalio is a contemporary textile and multimedia artist based in Dar-es-Salaam, Tanzania. After graduating from the University of Dar-es-Salaam with a BSc. in Textile Design and Technology (2018), she began working as a visual artist, with a focus on fabrics and textiles, fibers, dyes, and other multimedia forms. Having grown up in Kagera, Tanzania, her work is informed by her childhood in the countryside, and she uses it to reflect on the past and the creation of new narratives that draw on her identity and context. She has participated in several exhibitions in Tanzania, including the Other Worldly exhibition, and the East Africa Biennale in 2019. In 2020, she was part of the first cohort of the Nafasi Academy, a learning program for emerging artists hosted by the Nafasi Art Space in Dar-es-Salaam, during which she participated in several artist-led workshops, collaborated with other young contemporary artists, and exhibited her most recent work at the graduation show. In 2021, Alibalio participated in the Afro Ndi Luso artist residency at Modzi Arts in Lusaka, Zambia. Her current focus is on developing a practice that uses storytelling to create narratives for the future.

Ian Gichohi (Kenyan, b. 1997)

Ian Gichohi is a photographer living and working in Nairobi, Kenya. In his photography, Gichohi aspires to a painterly softness and sensitivity to his subjects, creating captivating images across the genres of still life, landscape, and portrait photography. With place as a central theme, his work is an exploration of our relationships with the immediate environment. He uses texture, contrast, colour, and composition to illuminate the ways in which objects around us can offer a glimpse into the ways we live. He is currently a student of architecture here in Nairobi.

Florin Iki (Kenyan/Italian, b. 1999)

Florin Iki is a Kenyan-Italian visual artist based in Nairobi. Born in a family of artists and having lived among different cultures, she was exposed to various art disciplines from a young age. She produces her work in a variety of media including painting, drawing, collage and installation work. She has exhibited in various group shows in Kenya. Her practice focuses on questions of identity, youth, emotional states, mental health, and women. Florin’s work is observational, she analyses her feelings and emotions and uses her personal experiences when making her work, searching for unfamiliar paths within herself. The figures in her work are often anonymous allowing the viewer to find their own feelings and stories in them. She has exhibited in various group shows in Nairobi, most recently an Artsy online exclusive show with Circle in July 2021. She currently lives and works in Nairobi.

Mihayo Kallaye (Tanzanian, b. 1996)
Mihayo Kallaye is a multimedia painter based in Dar-es-salaam. Following the completion of his BSc. in environmental sciences and management, he joined the Nafasi Academy hosted by Nafasi Art Space in Tanzania. He creates figurative paintings where his forms are inspired by Makonde wood carving traditions, working with rich colours and textures, sometimes using plastic to enhance tactile aspects of the work. An ongoing area of interest is the activities of daily life in his society, particularly questions of environmental sustainability.

Using participatory-based research, his creative process provides a space for the non-artistic community to participate in the contemporary art world by sharing their stories. The conversations and discussions of his research often focus on environmental issues that exist in his society, and these form the basis for what become the textured mixed media paintings. His paintings seek to capture cultural beauty while also communicating a message about his society. His work has been exhibited in the East Africa Biennale 2019; at the National Museum of Tanzania in 2020, and published by Bare hands an online publication in Texas in the USA, 2020.

Anita Kavochy (Kenyan, b. 1993)

Kavochy Anita is a Kenyan artist born in Kibera who primarily draws, paints, and experiments on different mediums and materials. Her work seeks to re/cover the layers of emotions that constitute the self and the relation to the world, the work questions the notion of home and belonging. Kavochy studied at BuruBuru Institute of Fine Art in 2014 before joining Maasai Mbili Artist Collective in the same year. Her practice began in collective learning and working alongside Maasai Mbili Artists Collective, participating in exhibitions, and workshops both individually and collaboratively.

Wanini Kimemiah (Kenyan, b. 1995)

Wanini Kimemiah is a community-taught, cross-disciplinary visual artist and writer from Nairobi. Their practice spans lens-based art, textile art, wirework, painting, collage and alternative photographic processes such as cyanotypes. They draw inspiration from their educational background in genomic sciences, as well as their interactions with people and objects in day-to-day life. They explore themes such as embodiment, presence and perception, time, and have a fascination with the uncanny, otherworldly and sometimes eerie experiences one may encounter as they go about the business of living.

The works exhibited in Various Small Fires are an attempt to turn ordinary objects and situations into a surreal experience. There is much wonder to be found by looking at what one is already so used to in a different light. In seeking out unfamiliarity within the familiar Kimemiah invites the viewer to think more deeply about the things they might take for granted, even though it might be uncomfortable, perhaps even frightening to realise that something can be so much bigger, stranger and more intricate than previously thought.

Winifrid Luena (Tanzanian, b. 1992)

Winifrid Luena is a Tanzanian visual artist working across various mediums including photography, video art, digital design and illustration. He is based in Dar Es Salaam and has since 2016 been involved in various exhibitions both in Tanzania and abroad. Luena has won awards for his work, including the Absa L'Atelier award in 2019. Luena is interested in psychological and sociological application of art. He uses art to explore different themes related to individuality, identity and history.

Wanjohi Maina (Kenyan, b. 1986)

Wanjohi Maina is a self-taught artist based in Nairobi. Maina began practicing art full-time in 2015, after quitting his job as a pump attendant. He joined the Kuona Artists’ Collective and has been based there since 2017. He has evolved his skills working individually as well and through assisting more established artists on various projects; artists he has worked with include Peterson Kamwathi, Dennis Muraguri, David Thuku, Kaloki Nyamai, and Longinos Nagila. Whilst Maina started out a painter, he has since expanded his media to include drawing, printmaking, and sculpture. Wanjohi has exhibited his work in group exhibitions in Nairobi, including One Off Contemporary Art Gallery, the French Cultural Centre in Nairobi, The Attic, and Circle Art Gallery.

Hawkers' Republic is an ongoing body of work in which Maina focuses his eye on the street vendors, or hawkers, as they’re commonly referred to. This work is an extension of earlier drawings and print-based works on the same subject. The works are made on steel sheets, from which he cuts out the silhouettes, then etches in the details, working with acrylic highlighter and spray paints for highlights and to describe the different objects. Hawkers are a ubiquitous part of Kenya's major urban areas, and form a significant part of the country’s ‘informal’ economy.

“As a cyclist, I am forced to jostle for space with these ‘friends of fate’ as they ply their trade in gridlocked traffic of our capital. I am fascinated with how creative they get while trying to earn their daily dues. You can buy anything, from fresh vegetables, electronics and household equipment, to toys from the window of your vehicle. If I were not a visual artist, perhaps I would be that guy hassling you to buy my wares on the windscreens and windows of your vehicles…” - Wanjohi Maina

Adam Masava (Kenyan b.1991)

Adam Masava is a self-taught Kenyan artist raised in the infamous Mukuru slums, Nairobi where he draws inspiration for his art. He started painting eight years ago and has since established a name for himself both locally and internationally. He incorporates different media in his art with the most famous one being corrugated iron sheets, which are also part of the primary building materials in the slums. He repurposes them into canvases with the end result being very unique textured art pieces. His legendary aerial view subjects are achieved by the fact that he paints from the balcony of his studio at the Mukuru Art Collective. He founded the art club as a way of providing an alternative avenue of livelihood to the numerous unemployed and at-risk youths as well as being a sanctuary for youths interested in art. His art is his way of showing the positive side of where he grew up which is riddled with negative connotations.

He has exhibited in Germany (Hamburg, Essen, Mulheim), The Netherlands (The Hague), The United States (Washington D.C & South Dakota). Locally he has shown at I.S.K ( F.O.T.A), The Art Fair, Affordable Art Exhibition, Manjano and the Polka Dat Gallery.

Sujay Shah (Kenyan, b. 1991)

Sujay Shah, is currently living and working in Kenya. He graduated with a B.F.A in Painting from the Savannah College of Art and Design in 2013. After college, Sujay lived in New York, working as a studio assistant for the artists Paul Bloodgood and Anne Chu. His work has been exhibited in the US (Savannah, Georgia and New York) and France (Lacoste). He is in the permanent collection of the Savannah College of Art and Design. In Kenya, he has been in group exhibitions at the Kenya Art Fair, If Not Now at the Cave Bureau, and I Will See What I Want To See at Circle Art Agency.

Taabu Munyoki (Kenyan, b. 1996)

Taabu Muyoki’s interest in art first emerged when she took art as a subject in high school. She went to pursue a B.A in fine art at Kenyatta University, graduating in 2019.As a student, Munyoki took part in several competitions, including the annual Manjano competition where she placed 2nd in 2018, and 3rd in 2019. In 2018 she was included in Early 21st Century Young African Artists at Saatchi Gallery, London, a group show of artists that participated in the 2018 MASK Prize annual show. In 2019, Munyoki was an artist in residence at Nafasi Art Space in Dar es Salaam, Tanzania. She is currently based at Kobo Artists Studios in Nairobi, where she receives mentorship from Kenyan artist David Thuku.

Taabu Munyoki’s art evolves from observations of her world, human relationships, and her interactions with people and spaces around her. Her background - a Christian upbringing in the rapidly evolving urban area of Nairobi - is the lens through which she filters these experiences. Munyoki works predominantly with canvas, combining painting, printmaking and drawing for two-dimensional works and incorporating resin for sculptural works. Her interests in illustration and graphic design lead her to work with bold colours, and incorporate patterns in her work. Faraja (kiswahili for ‘comfort’) and Does My Hair…, both 2021 are two complimentary works created based on her experiences of spaces where women have their hair done, and the attending politics of hair.