Art contemporain : face au Covid-19, le virage numérique des galeries africaines | Le Monde | Roxana Azimi

De fait, partout où un marché local s’est plus ou moins structuré, les galeries ont réussi à tirer leur épingle du jeu. « L’annulation des foires nous a privé d’importantes sources de revenus et surtout de networking, admet Danda Jaroljmek, directrice de la Circle Art Gallery, à Nairobi. Mais en nous recentrant sur les acheteurs kényans, on s’en est sorti. Finalement, 2020 fut meilleure que les huit années précédentes ! »

Monocle Circle Art Gallery

Talent Pool Cromwell Place | MONOCLE

Danda Jaroljmek, director of Circle Art Gallery in Nairobi, was feeling the effects of art-fair fatigue when she first heard of Cromwell Place. “The fairs are excellent for meeting new people but they’re intense and it’s all about selling because you’ve paid such a lot of money to attend,” she says. “You don’t have the luxury of sitting down.” … Cromwell Place is a flexible, cost-effective solution to this problem. … For Jaroljmek, the chance to gain access to top dealers and collectors in London was too good to miss. But it’s important to her that there are enough like-minded galleries, both contemporary and non-western, in the mix too.

Agnes Waruguru exhibition at Circle Art Gallery

In Conversation with Agnes Waruguru: A Dedication Time for Thinking and Doing | Contemporary& | Mearg Negusse

C& spoke with Nairobi-based artist Agnes Waruguru about her first solo show, recently on display at Circle Art Gallery.

Small things to consider, the first solo show of multimedia artist Agnes Waruguru, showed from September to October 2020. We spoke with Waruguru about her experimental use of materials and about the intimacy of transforming them into specific observations and memoryscapes relating to her environment, as well as why it was important for her to create a show that felt approachable.

Credit: Eyerusalem Jiregna/Addis Fine Art

How Ethiopian art secured its spot on the world’s stage | CNN Style | Ginanne Brownell

Though the commercial art gallery scene is small and remains challenging (Asni Gallery, one of Addis’ stalwarts, recently shuttered), the growing local and international exposure is starting to pay off. “It’s important that we have a younger generation of Ethiopian artists at the auctions because we are attracting a lot of new buyers,” said Danda Jarolimek, a Nairobi-based curator who runs the annual East Africa Auction. “Those who have been collecting Nigerian, South African or Ghanaian art may not know huge amounts about East Africa, so it can be a starting point to learn about a new market,” she said over a phone call.

East Africa’s booming art scene draws global interest | Al Jazeera | Catherine Soi

Some artists in the region are hoping the international attention will help them get recognition. With growing interest from international auction houses and a flourishing gallery scene at home, East African art is catching on with global collectors and a new generation of local buyers. The region may lag behind the continent’s art powerhouses like South Africa or Nigeria, but experts say art in the region has attracted increasing interest in the past few years.

The New Face of African Art | The Wall Street Journal

Samit Gehlot, a collector in Nairobi whose family owns safari lodges, health clinics and a construction business, said he started going to pop-up shows and auctions of contemporary African art organized by Circle Art Agency three years ago. He started researching the globe-hopping exhibition resumes of several local artists he liked—including Cyrus Kabiru, who is known for taking self-portraits wearing outlandish homemade sunglasses—and then Mr. Gehlot started buying, a lot.

Circle Art Gallery booth at The Armory Show 2016

Why the “African Perspectives” Section Is the Number One Reason to Visit The Armory Show | Artsy | Isaac Kaplan

While crucial, it’s one of many. “I think the idea that there’s an African identity or there’s something African artists are addressing in particular is troublesome,” Danda Jarolmek, director of Circle Art Gallery, told me. “It doesn’t really exist.” The gallery represents artists from Kenya, Tanzania, Uganda, Ethiopia, and Sudan, five distinct countries in East Africa. “In some countries, all the artists have come out of the same art school. In some countries, there are no art schools.”

Ato Malinda at Circle Art Gallery

Why is African art at the Armory Show so friendly and welcoming? | Conceptual Fine Arts | Stefano Pirovano

“There isn’t much infrastructure yet, but the local art community is vibrant and the base of collector is rapidly growing” told Cfa Danda Jaroljmek, director and founder of Circle Art Agency, a Nairobi-based contemporary art gallery that represents artists from across the region – Uganda, Etiopia, Sudan and Tanzania. “Every year we organize an auction – she continues -, it helps to build up the local market and to create our own audience”. Among the main African contemporary art collectors she mentions Sindika Dokolo, but her gallery can count on supportive foreigner collectors too. “They are generally people with business interests in the area” says Jaroljmek.